Unlikely trio confirms their collaboration on Twitter.

Photo: Sean Gardner/ Getty Images
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Unlikely trio confirms their collaboration on Twitter.

Photo: Sean Gardner/ Getty Images
Cerulean is the forthcoming LP from a 21-year-old Los Angeles local named Will Wiesenfeld. Dude goes by the name Baths these days, after spending some time as Post-Foetus, and his post-Foetus material’s made for a remarkable album I’ve been spinning a bunch these past few days. The primary m.o. is a chopped, scuffed, and glitched beat pastiche, intercut with emotional, occasionally helium-huffed vocals (think Passion Pit’s Michael Angelakos if he was weaned on the Warp catalog, or DNTEL, or citymate Flying Lotus). Baths puts structure and ear-warming melodies amidst his ambient and forward-thinking beat music — these are real songs first, production experiments second, so it’s easier to dig in if somehow FlyLo’s bleak Los Angeles isn’t the L.A. you want to visit (though, those stained and grimy alleys are well worth a trip, too).
Here it’s all about “Hall,” an airily electronic falsetto-fied Cerulean standout that’s gorgeously recast by Hrishikesh Hirway aka The One AM Radio as something more conventionally arranged (that’s a proper drumset in there), with Wiesenfeld’s wispy vocals handled by the lovely Los Feliz Ladies Choir, who don’t need to flip into falsetto to hold down the vocal line. It stands on its own, though I’d suggest grabbing its original, along with another Baths LP cut, all here.
In 2009, when Vic Chestnutt was interviewed by Terry Gross on Fresh Air, he explained the sentiment lurking within “Flirted With You All My Life,” a heartbreaker from his penultimate album At The Cut: “You know, I’ve attempted suicide three or four times. It didn’t take.” It did take last Christmas when Chestnutt died in an Athens hospital after going into a coma from an overdose of muscle relaxants. Covering a song this heavy is a tough task, but David Bazan, who seemingly likes to tackle complex sadness, gave it a go last weekend at Le Poisson Rouge as part of Radio Happy Hour. Only not so happy.
BBC Radio 1’s Zane Lowe premiered “Scribble,” the first taste (and maybe first single) from Underworld’s upcoming album. It’ll be their first of new material since 2007’s Oblivion With Bells. This (pretty melodic) track was co-written and produced with Welsh DJ/producer High Contrast. Lowe played the “short” version of the song, the full version premieres tonight on BBC Radio 1. Grab a copy of the shorter version for signing up at Underworld’s website.
Xtina performs her new single, ‘Not Myself Tonight,’ at New York’s Radio City Music Hall.
By Eric Ditzian

Christina Aguilera on “Oprah”
Photo: ABC
Christina Aguilera’s comeback is well under way.
With a live performance slated in early June at the MTV Movie Awards, followed by the release of Bionic, her first studio album since 2006, it’s shaping up to be a crazy couple of months for the pop star. On Friday (May 7), Xtina stopped by a live airing of “The Oprah Winfrey Show” at New York’s Radio City Music Hall to chat about motherhood, charity work and her break from the music scene.
“I like to take time between records and just live life for a moment, just gather my thoughts, my inspiration, and figure out what the next record is going to be,” she said. “I just take those moments to live life so I can be even more inspired as an artist.”
Since her 2006 album, Back to Basics, Aguilera has moved into a new home, become a United Nations ambassador for world hunger and given birth to her first child, Max. As she told Oprah, having a son has helped to increase her own confidence in her body.
“I think as women, our bodies go through such amazing things, and we are superhuman,” she said. “We give life, we give birth, we are our child’s source of everything. Our bodies are not our own for a time period, and we givingly and willingly do so for our child. But then when we get them back, you feel that much stronger and that much better and more confident. Sure, I have a difference in my body than before, but I’m more confident in that.”
After chatting with Oprah, Aguilera took the stage at Radio City to perform her new single, “Not Myself Tonight.” In a haze of green laser lights and smoke, she appeared in a black one-piece, a long black trench coat and high black boots. Backed by a group of “Matrix”-esque dancers, Xtina stomped to and fro across the stage, at one point declaring: “This song is all about letting go and expressing yourself!”
What did you think about Christina’s “Oprah” appearance? Let us know in the comments!
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Michael Lynche joins him in the bottom three, despite experts predicting Casey James’ exit
By James Montgomery

Aaron Kelly on “American Idol” Wednesday
Photo: Fox
On this week’s “American Idol,” the top five went old school, tackling the time-tested songbook of Frank Sinatra. So it was perhaps not all that surprising that the show’s youngest contestant ended up getting the boot.
Yes, on Wednesday night’s (May 5) results show, voters sent 17-year-old Aaron Kelly packing, thanks largely to his shaky performance of “Fly Me to the Moon,” a timid turn that Simon Cowell rather rightfully described as “mouse” like.
Still, despite coming so close to winning it all, Kelly was all smiles when host Ryan Seacrest told him his time was up, saying, “I’ve had a great time; I’ve had a blast,” before taking one more run at “Moon” (and, to be honest, this version was much better than Tuesday night’s).
And while Kelly’s exit wasn’t exactly shocking, it was who joined him in the bottom two that raised more than a few eyebrows: Michael Lynche, the big-bodied crooner who won praise for his jazzy version of “The Way You Look Tonight,” a performance Cowell and fellow judge Ellen DeGeneres particularly liked.
In the end, Lynche survived, and joined Lee Dewyze — a lock to advance after his swinging, swaggering take on “That’s Life” — Crystal Bowersox and, somewhat surprisingly, Casey James, in the top four.
James had been most “Idol” experts’ pick to get the boot on Wednesday, following an awkward version of “Blue Skies.” And yet, he avoided elimination yet again (maybe it had something to do with his scruffy, sorta-beard).
Earlier in the show, Lady Gaga — who wore black (lace) in keeping with the classy, Sinatra vibe of the show — strutted through a performance of her current single “Alejandro,” and Sinatra Week mentor Harry Connick Jr. crooned his way through a version of the Lennon/McCartney classic “And I Love Her” (from his new album of covers, Your Songs) and w was joined by the remaining “Idol” hopefuls through a medley of his own hits.
Next week, frequent “Idol” collaborator Jamie Foxx will help guide the top four through some of Hollywood’s best-known movie music.
Were you bummed to see Aaron go? Let us know in the comments.
Get your “Idol” fix on MTV News’ “American Idol” page, where you’ll find all the latest news, interviews and opinions.
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Pop star starts over-the-top performance with a slowed-down snippet of ‘Bad Romance.’
By Larry Carroll

Lady Gaga performs on “American Idol” Wednesday
Photo: Fox
She’s one of the hottest musical acts at the moment, an endlessly fascinating performer who has enough tricks up her sleeve to possibly outlast the long list of flavors of the month who have similarly skyrocketed to the top of the charts. On Wednesday night (May 5), “American Idol” officially went Gaga.
“This is a woman who’s dominating the charts and pushing the pop-culture envelope,” Ryan Seacrest said in his gushing introduction of Lady Gaga.
With that, America’s most popular TV show became a showcase for one of its most unique talents. Taking to the stage with a large ensemble of backup dancers in a pre-taped performance, Lady Gaga sang the newest single from The Fame Monster, a Spanish-influenced number called “Alejandro.” Gaga started out at the piano for a slowed-down snippet of “Bad Romance.”
Dressed in a revealing-but-veiled black outfit that might be appropriate for a woman attending a stripper’s funeral, Gaga wielded a cape and was surrounded by a team of shirtless dancers. Halfway through the performance, she shed her cape and began writhing on the floor.
“Alejandro, let me go,” she sang. “You know that I love you, boy/ Hot like Mexico, rejoice.”
Over in one corner of the stage, a statue of the Virgin Mary had flames pouring out of the top of it, in something that felt straight out of Madonna’s repertoire in her prime. Smoke filled the stage while the songstress performed a highly choreographed dance routine.
The “Idol” crowd seemed appreciative of the spectacle, welcoming her with opening arms and cheering throughout the performance.
Gaga taped the performance after last week’s elimination show, when Siobhan Magnus got the boot.
What did you think of Gaga’s performance? Let us know in the comments!
Get your “Idol” fix on MTV News’ “American Idol” page, where you’ll find all the latest news, interviews and opinions.
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Luda calls his Pizza Hut gig ‘beautiful’ on the show, airing Saturday at 11 a.m. on MTV.
By Jayson Rodriguez

Ludacris
Photo: MTV News
Ludacris wears many hats these days — recording artist, actor, entrepreneur — but when the Atlanta MC was younger, the riches weren’t exactly raining down like they are these days.
“At the age of 17, I had a job at Pizza Hut,” Ludacris reveals during the next episode of MTV’s new show “When I Was 17,” which airs Saturday at 11 a.m. and also features “Biggest Loser” trainer Jillian Michaels and Pete Wentz.
Ever the hustler, Luda pushed pizzas at the restaurant chain for a particular reason.
“Not only did I get a job at Pizza Hut to get a little extra change in my pocket, but I also did it so that I could eat,” he explained. “I lived with my father. God bless my father, I love him to death, may he rest in peace, but my father did not know how to cook. Simple as that.”
There seems to be room for debate between ‘Cris and his friends about how much he actually enjoyed his employment.
“I loved working at Pizza Hut, ‘cause it was a hell of an experience,” he said, smiling and calling the job “beautiful.”
“Well, he told me working at Pizza Hut was one of his worst jobs ever,” the rapper’s friend Kiah recalled.
The Disturbing Tha Peace CEO worked in the kitchen making the pies, which, according to another friend Ryan, didn’t help him land any hot dates.
“He hated that job,” Ryan said. “I know it wasn’t really helping his love life. … Working at Pizza Hut? That ain’t gangster.”
At least we know Ludacris has moved on to bigger and better things.
“When I Was 17″ — this week featuring Ludacris, Jillian Michaels and Pete Wentz — airs Saturday at 11 a.m. on MTV.
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Debut album from MTV News’ ‘MC to Watch’ will be #1 on Billboard’s top 200 albums chart next week.
By James Montgomery

B.o.B
Photo: Frank Mullen
It’s been nearly 18 months since MTV declared B.o.B an “MC to Watch”, and while he’s spent most of 2010 making us look smart, even we couldn’t have predicted this.
Thanks to the success of his singles “Nothin’ on You” and “Airplanes,” the Atlanta rapper’s debut album, The Adventures of Bobby Ray, will bow at #1 on next week’s Billboard albums chart, with sales of more than 84,000 copies. He’s only the second hip-hop artist to debut in the top spot in 2010 (Ludacris did it back in March with his Battle of the Sexes album) and only the third since September of last year, when Jay-Z’s The Blueprint 3 dominated the landscape.
Following behind B.o.B is unstoppable country juggernaut Lady Antebellum, who sold just under 76,000 copies of their Need You Now album. Coming in at #3 — the week’s second-highest debut — are Welsh rockers Bullet for My Valentine, whose third album, Fever, sold close to 71,000 copies. Justin Bieber’s My Word 2.0 is next at #4, selling more than 69,000 copies, and AC/DC’s Iron Man 2 soundtrack lands at #5 with sales of about 52,000 copies.
Rounding out the top 10 are Usher’s Raymond v. Raymond (#6, 48,000), Melissa Etheridge’s new Fearless Love (#7, 46,000), Miranda Cosgrove’s new Sparks Fly (#8, 36,000), the ubiquitous Now 33 (#9, 30,000) and last week’s top seller, the “Glee” cast’s Power of Madonna (#10, 29,000).
Outside the top 10, notable debuts include Hole’s first album in more than a decade, Nobody’s Daughter, which bows at #15 with sales of close to 22,000 copies, Daddy Yankee’s Mundial at #29, with sales of more than 13,000 copies, and Sons of Sylvia, who, fresh off their appearance on “American Idol,” moved more than 12,000 copies of their debut, Revelation, to open at #33.
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Plus, Heidi Montag debuts new look to her friends.
By Amy Wilkinson

Kristin Cavallari on Tuesday’s episode of “The Hills”
Photo: MTV
Who could have guessed wearing a pair of shades indoors would lead to this? Thanks to a penchant for tinted eyewear and a few hard-partying nights spent in Miami during Super Bowl weekend, Kristin Cavallari returned from the Sunshine State with some unwanted baggage — namely, rumors of an alleged drug addiction. The 23-year-old wasted no time squelching those accusations during last night’s episode of “The Hills.”
The show opened with Kristin paying a visit to frenemy Audrina Patridge’s house, where Kristin floated the idea of throwing a party. The conversation quickly turned to the rumors of Kristin’s alleged drug use and how fast the gossip had spread. “My parents have heard about it,” Kristin complained. “This has become an issue for me.” She asked whether Stephanie Pratt and/or Lo Bosworth were to blame for the rumors, but Audrina genuinely seemed to have no clue. Kristin decided she would invite Stephanie to her party to confront her in person.
Also invited to the fete was Heidi Montag, who decided it would be the perfect opportunity to debut her new look to her friends. (Heidi showed off her surgically enhanced body to her parents during last week’s episode.) “I’m so excited to go to Kristin’s party and show them my 3.0 body,” she enthused. Husband Spencer wasn’t so sure about the soiree, since his estranged sis, Stephanie, would be there. “Realistically, I don’t know how I’m going to be around Stephanie,” he said. “I haven’t talked to Stephanie once since the DUI, and she knows why. Because that was the final straw.”
Unsurprisingly, when the big night arrived, tensions were running high. Audrina brought her new boyfriend, singer Ryan Cabrera, which seemed to spark a bit of jealousy from Brody Jenner. But all eyes soon turned to Heidi, who made her grand entrance to a chorus of halfhearted cheers and “Wows.” After ushering his wife in, Spencer spent most of the night avoiding Stephanie. That is until Stephanie — who was already emotional from an earlier run-in with Kristin — made the mistake of saying hello to Spencer. “That’s why you’re not in my life, crazy bitch,” Spencer yelled at a misty-eyed Stephanie. “You come to barbecues and start crying.” And with that, Stephanie ran from the party in tears.
Spencer later rehashed the night’s events with friend Charlie, whipping out a feather to keep himself sane. “My life is perfect until Stephanie and Holly try to come in it,” he complained. Charlie suggested that maybe Spencer’s crystals, which he wore from multiple necklaces and bracelets, weren’t working. “I know they’re not working,” Spencer retorted. “That’s why there are hundreds of them on me right now.” And with that, he took a moment of silence to press a palm-size crystal into his forehead.
After denying that she and Lo had been the ones spreading the drug rumors, Stephanie decided it would be a good idea to settle the feud with Kristin in person. “I know this whole Miami thing is being dragged out,” Stephanie told Kristin as they sat at a restaurant, neither of them eating. “I don’t want it to be an issue anymore. We didn’t start any of these rumors.”
“Quit talking about me,” Kristin replied. “I don’t even like being around you. I think you are two-faced.”
After several more heated exchanges, the pair marched separately out of the restaurant, awkwardly meeting up on the sidewalk outside before finally parting ways.
“The Hills: Final Season” airs at 10 p.m. ET/PT every Tuesday, followed by “The City” at 10:30 p.m. ET/PT on MTV.
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