This past Saturday and Sunday was the third annual Treasure Island Festival, on San Francisco’s Treasure Island. We sent Josh Bis to capture the weekend in photos.
/home/rick44/public_html/wp-content/themes/gazette/tag.php
This past Saturday and Sunday was the third annual Treasure Island Festival, on San Francisco’s Treasure Island. We sent Josh Bis to capture the weekend in photos.
Wild Nothing is 21-year-old Blacksburg, Virginia songwriter Jack Tatum (aka Jack And The Whale aka a member of Facepaint). Yeah, another one man band. But no, not just another one man band. Instead of doing the fuzzy lo-fi thing, Tatum wraps his elastic voice in a dramatic dream-pop haze. (Or in a song like “Live In Dreams” you hear bedroom Marr and Moz.) In an interview he mentions the Cocteau Twins along with Shop Assistants, My Bloody Valentine, and, yes, the Smiths (plus the Radio Dept. and other Swedish pop-makers) as influences. To give you more of an idea he covers Kate Bush’s “Cloudbusting.” To give you even more of an idea…
Continue reading New Wild Nothing - “Confirmation”…
The Flaming Lips have already done Colbert in support of their recently released, return-to-freak LP Embryonic, but there’s something particularly amusing about seeing the Coyne company bring the gong-banging soundtrack to a bad-acid flashback “Watching The Planets”‘ to NBC’s 11:30 time slot. But then again, the network’s viewers were just slogging through the 10PM-slot mindfuck of passing off Jay Leno as “comedy,” which is even trippier. Wayne’s collapse in a put-on ’60s psych stupor at song’s end being immediately succeeded by Conan’s sunny salutation is fun, but not as much as the juxtaposition of this performance being followed by the Tonight Show Band’s goofy funtimes theme song.
Laura Veirs’ seventh album July Flame is out January on her Raven Marching Band imprint. The collection includes appearances by Karl Blau, Jim James, and Eyvind Kang, among others. It also includes 13 gorgeous songs. Like standout “Wide-Eyed, Legless.” When we asked Veirs about July Flame’s autumnal sounds she unpacked the title beautifully:
“July Flame” is: A destructive force, lamplight on a cold night, Oregon peach variety, intense summer love, fireworks, war, sunlight trapped in wood, renewal, spooky will-o-the-wisps, desire, pain, ephemera.
You can read her thoughts on the poetry of “Wide-Eyed, Legless” specifically while you give it a listen. (And if you like what you hear, she’s posted the first two July Frame songs for free over at Raven Marching Band. Jim James howls on the opener.)
In this week’s Drop we also offered you the chance win a pair of LaCie Sound2 Speakers.
That Ghost, aka Santa Rosa youngster Ryan Schmale, puts together a different sort of one-man California lo-fi. Vocally, think of a 19-year-old Robert Pollard (with everything that connotes, good and bad). His approach to pop is fuzzy and spacious, but he wanders in a different direction with “The Red Bow,” a song placing Schmale squarely inside a chilly garage in Sonoma County. It’s an unlikely introduction for those who first bit on the earlier circulated “I Crossed Out The Options” and “Open Windows.” To get you in the mood, consider these lines: “I’d much rather just cut my legs off, so you can carry me home on your own.” Now consider what would’ve happened if that Wavves/Black Lips fight had birthed a child.
Continue reading New That Ghost - “The Red Bow”…
Robert Zimmerman’s Christmas In The Heart is out today and features a ton of covers of Xmas classics. Also, this is one time the Jack Frost production alias makes great sense. Hear “Must Be Santa” at dylanchristmas.skyroo.com.
A $19.99 “iTunes Pass” gets you early downloads of three LP cuts (”I’m Your Daddy,” “Tripping Down The Freeway,” “Put Me Back Together”), two bonus rarities (”I Hear Bells,” an alternate “Cold Dark World”), and a live Clash cover. Or just stream 30 sec previews free.
Yes the full lineup of Temple Of The Dog reunited Tuesday night in L.A. to play “Hunger Strike,” and the high-school-you is flashing back to beautiful young EdVed in the tall grass and shitting its pants. (If the high school you in the now-you, Temple Of The Dog was a supergroup comprising members of Pearl Jam and Soundgarden; Pearl Jam and Soundgarden were bands that wore a bunch of flannel.) Add that to this video of Nirvana doing “School” at their legendary headlining Reading set (from the DVD of the performance due out next month), and Alice In Chains holding #5 on the Billboard Hot 100 with “Check My Brain” (Jerry Cantrell came out at that Temple reunion gig, too) and it’s been a really good week for 1992! Let’s all rent Singles and compare Docs this weekend and call each other slackers.
Get in the mood with this video of Temple Of The Dog Tuesday (which only really required Chris Cornell to get onstage at a Pearl Jam show, since the band was Chris, Stone, Eddie, Jeff, and then Matt Cameron who is conveniently situated in camp PJ), followed by Jerry In Chains jamming on “Alive”:
When we were deep in No One’s First And You’re Next mode, I called “Whale Song” the most interesting material from the collection. It’s also a track that reminded a bunch of you of one of our decade’s best, The Moon & Antarctica. Fittingly, the video for its 6-minutes of slippery guitars and spastic, palimpsest vocals is a bizarre, visually rich epic concocted by director Nando Costa and the Portland-based production company Bent Image Lab. You get plenty of bent images here as well as jump-roping guitar strings, a plant playing drums, burning bushes, endless mazes, and giant snails as Isaac Brock wanders some kind of post-apocalyptic landscape in preparation for fighting gravity with his bandmates. (Right, Heath Ledger’s “King Rat” video was the ones with bloodthirsty whales. You’re more likely to find an over-sized rodent in this one.) Take a look at P4K.
Dust off your copy of Novelty, the seminal D.C. post-hardcore quartet Jawbox are playing their first show in a dozen years 12/8 on Late Night With Jimmy Fallon. To get in the spirit, they’re reissuing For Your Own Special Sweetheart on DeSoto with bonus tracks. More at Billboard.
